One of the capital’s most wonderful buildings  The Guardian
St George’s Bloomsbury is one of the twelve new churches designed and paid for under the 1711  Act of Parliament for building Fifty New Churches, and the sixth and final London church  designed by the leading architect of the English Baroque, Nicholas Hawksmoor.   The 1711 Act of Parliament was passed by the new Tory government in response to the increasing  number of non-conformist chapels and places of worship in London, all of which were intended  to serve its rapidly growing population. The Commissioners of the Act, led by Sir Christopher  Wren, quickly set about identifying those areas of London most in need of new places of worship  directly controlled by the Church of England.  The land on which the church is built (the ‘Ploughyard’) was bought for £1,000 from Lady  Russell, widow of the Whig rebel Lord John Russell who had been executed in 1683. This is not  an insubstantial sum, which begs the question why it was spent on a narrow, rectangular plot of  land on a North-South axis that was hemmed in by buildings on all sides; a purchase which  seemed to fly in the face of the Commissioners’ 1711 stipulation that “no site ought to be pitched  upon for the erecting [of] a new church where the same will not admit the church to be placed  East and West.” Perhaps the orientation of the site was deemed a surmountable obstacle,  especially since the site met the needs of the commissioners in that it was situated “amongst  the… better sort… [and on] the larger and more open streets, not in obscure lanes, nor where  coaches will be much obstructed in the passage. The land purchase was the work of one of the two surveyors appointed by the Commissioners of  the 1711 Act: Nicholas Hawksmoor. Unlike others appointed by the Commissioners, Hawksmoor  continued to work as a surveyor of the 1711 Act churches until his death in 1736. Of the twelve  churches completed, he would ultimately be responsible for designing six, of which St George’s  Bloomsbury was the last. His final designs for St George’s, however, were only commissioned  and then adopted after earlier designs by James Gibbs and Sir John Vanburgh (who proposed  building a church with the altar in the north) were rejected by the Commissioners.  St George’s was consecrated on the 28th January 1730 by Edmund Gibson, Bishop of London. At  this time, Bloomsbury was part of the parish of St Giles in the Fields. Not only was St Giles  unable to meet the needs of the increasing parish population, but it was also surrounded by one  of London’s most notorious slums; the Rookery. Hogarth’s Gin Lane (1751), with the spire of St  George’s clearly visible towards the top of the picture, gives us an idea of the squalor and despair  that characterised the area. Regular visits to St Giles in the Fields would hardly have been an  attractive proposition to the nobility, gentry and well to-do taking up residence in the  fashionable streets and squares of Bloomsbury, built and managed by the Duke of Bedford.  Despite the grandeur of Hawksmoor’s design, the parish Vestrymen felt that his completed  church did not provide sufficient accommodation for the parish and, as a result, the church was  re-orientated along a north-south axis in 1781.   During the 19th century, St George’s was particularly active in the Church of England’s ‘civilizing  mission’, providing practical help such as schools, a library and a soup kitchen for the local  community. The early 20th century saw St George’s play an active role in both spiritual and  secular affairs. In 1913, St George’s the church was the setting for the memorial service for Emily  Davison, the suffragette who threw herself under the King’s horse in the Derby. In 1937, St  George’s held a special service of remembrance for those killed during the Abyssinian War which  was attended by Haile Selassie.  From 1956 – 1968, St George’s Bloomsbury served as the University of London’s church, with the  Rector as Senior Chaplain. After this association with the University of London had ended, the  church struggled to establish a clear role for itself within the local community and fell into  disrepair. Attempts during the 1990s to restore the building attracted the attention of the World  Monuments Fund, whose subsequent adoption of the restoration of St George’s as a major  project was the crucial first step towards the successfully-restored church we see today.  Should you wish to find out more about St George’s Bloomsbury and Hawksmoor’s London Churches, we would recommend the following works: De la Ruffiniere du Prey, P, 2000. Hawksmoor’s London Churches. Architecture and Theology. London: University of Chicago Press. Downes, K, 1970. Hawksmoor. London: Thames & Hudson Ltd. Meller, H, 1975. St George’s Bloomsbury. London: St George’s Bloomsbury. Tames, R, 1993. Bloomsbury Past. A Visual History. London: Historical Publications. Colin Amery, Kerry Downes and Gavin Stamp, 2008 St George’s Bloomsbury London: World Monuments Fund
One of London’s more characterful corners  and a work of blinding originality, raw  emotion and interesting symbolism.   Hugh Pearman, The Sunday Times
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